Regrann from @fly.malaysia

Don’t miss out the chance to meet and hear the experience of Mushamir Mustafa, Founder of Humans of Kuala Lumpur – a popular photojournalism and storytelling advocacy project in Malaysia during our Empowerment Talk Show.
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(This post was first published on March 3rd 2018)

“I’m half Malaysian, half Italian. My parents fell in love when they were 18 and their love story was super cute…”

“My mom’s the Italian and my father is a Malaysian Chinese from Sabah. It’s an unusual combination.

My mom said that it was love at first sight but dad doesn’t really agree with it. I learned that they met on a train and my father didn’t have enough money on him so my mother decided to pay for his ride. He couldn’t speak Italian and my mom’s English was limited too but they got to know each other during the train ride. 

Eventually, my dad gave her an address where he was studying in the UK and told her to contact him if she ever came to the UK to visit.

In fact, my mom purposely flew to the UK to look for him and they fell in love then and there. After my dad finished his studies, he went to Italy to be with my mom for her final year of university. 

After mom graduated, they decided to move to Kuala Lumpur and tie the knot here.

I dream that one day I’ll meet my own love in a way as romantic as my parents did. I would imagine myself walking on a beach or just strolling on a hill reading my favourite book “Thousand Splendid Suns” by Khaled Hosseini and I would bump into my prince charming who would turn out to be also a fan of the book. We would start walking, talking and falling in love.

“Tell us a bit about your siblings, growing up together.”

I have 2 older sisters and a younger brother. I love my siblings very much. I have so much fond memories with them. 

Once, I remember it was the 31st of August and we were in Italy for Ferragosto, it was a summer welcoming celebration they have over there. We were looking up to a majestic sky full of stars together. We witnessed a shooting star right in front of our eyes and we all made our wishes in our hearts. 

I’m a cat-crazy lady and I remember vaguely wishing that my cat would live forever and ever. 

“What have you learnt about life, growing up with your unique upbringing?”

My parents always reminds us to see the beauty in everything around us and to be grateful of what Kuala Lumpur has been for us. I’m thankful for my education here, my friends, my social life and most of all my beautiful family and home. 

I do get asked a lot about how I feel growing up here in Malaysia. 

Most of the time, I just shrug it off by saying I don’t know but recently, I’ve been thinking about the question more. I imagine that If I’m in a room full of Italians and Malaysians, I would identify myself more with the Malaysian group because I just feel more welcomed when I’m with them. After all, I was brought up here all my life”. 

Story and photo by Mushamir Mustafa
Editorial assistance by Dao Hong

This story was conducted in October 2016. 

“I used to be the Chief Operating Officer (COO) of a chemical company. But I am embarrassed to tell you the things I used to do in corporate…”

“When we wish to fire people who work in corporate jobs, instead of offering a severance package, we make life very difficult for them.

We humiliate them in meetings, we tell them they are not performing, we restructure the organization and reduce their seniority, and put junior people as their bosses. Eventually even the strong cannot ‘tahan’ and they will leave themselves. This is what they taught me in corporate, and this is what I did. But you don’t realise it all eventually comes back to you. 

Sadly, the company is never short of its people to volunteer to do the dirty job of undermining their own colleagues, not realising that one day they may be the victim themselves.

If you are mid-manager level, it’s fine because you are purely operational. Once you get to senior manager position, that’s when the politicking starts. People get jealous of you, people backstab you and they would do anything to get rid of you. This is the ugly side of corporate culture and sadly the dark side of human nature too.

“Why did you quit corporate?”

One late night I looked through an old photo album of my family – of my lovely wife and children and I realised the past 20 years passed by in a blur. I could barely recall my children growing up and that my wife has become older – it was like I just woke up from a coma and I lost my memory. I regretted this bitterly and it was this moment I decided to make right of my life. 

I’m grateful I’m given a second chance in life. This is my second chance.

Now, I operate a modest chemical business of my own. During the weekends, I also trade at a flea-market to sell our unneeded items, and have been a trader for two years. 

I am actually saving up more money now, than when I was in corporate, as I’ve also learned to manage my finances more diligently and realized money was spent on unnecessary luxuries. For example, I thought I could not live without Astro because I used to watch EPL (English Premiere League football) every weekend. When I cut off Astro to save money, I realized I didn’t miss it that much.

So here I am, selling our unneeded items, things which we rarely used – sometimes only once or twice. I have three children – a boy and two girls. Two are in university and one just finished SPM. Once the last one goes to university too, me and wife will move to a smaller apartment. 

Once you declutter your life, you can focus on the things that really matter. 

During my corporate work, I reported to the board and I had up to ten bosses. But now I just have one boss. My wife! This is my life now, it’s a lot simpler, but I’m happier.”

– Please like our page at Humans of Kuala Lumpurfor more inspiring stories like this. 

Story and photo by Amalina Davis
Edited by Mushamir Mustafa

*We have updated some parts of the story for clarification.

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(This post was first published on March 18th 2018)

“I was in university when my maternal grandmother passed away…”

“She was a big part of my childhood. While returning to mourn for her, I saw her lying in the casket with the little things she had with her all her life. There were the little lyrical booklets of folksongs and vinyl records; some these were brought over (to Malaysia) from China.

I just couldn’t bear the thought of it being buried together with her forever, so I took it out from the casket in the middle of the night. 
I realized that these things I’ve kept were all related to “sound” so I started to study more about them. 

For example, people use the phrase ‘mother tongue’ and not ‘father tongue’ because biologically the baby’s nerves are always linked to the mother’s tongue in the course of the pregnancy. Every time a mother makes a sound, the baby listens. That’s why, a mother’s sound and her language is the first thing that a new life hears. Every lullaby, nursery rhymes and children’s song in this world came from our mothers. They (mothers) hum to the rhythms of our daily lives, coupled with their own tune to see their child grow up day by day…

Today my work revolves around archiving sounds and stories from the elders that speaks different lineage of Chinese dialects. Some (of the elders) came to Malaysia before the Cultural Revolution in China, so the way they speak, the dialect they inherited is as pure as they were before. However, because they received limited and perhaps no education at all, they could not get by (in life) with modern Mandarin, and slowly they became marginalized because nobody speaks their dialect anymore and nobody could understand them. 

Their voices are slowly being forgotten, and their unique identity as well. My dream is to setup a Malaysian “Sound” Museum, where it houses a preservation center for Malaysian Chinese Dialects. I’m also shooting a lot of documentaries of Chinese tradition and culture that are slowly lost in time. This is a way of paying tribute to the first sound that we all hear in each of our lives and the most significant sound of all – the sound of our Mother Tongue.” – Chong Keat Aun

“记得在念大学的时后,收到外婆去世的消息。她是我成长中很重要的一部分。回乡出席丧礼时,看见她躺在棺木里,置放在身边的是陪伴她一生的一些小东西。有一些写着歌词的小册子,还有黑胶唱片,有些甚至是她从中国带过来的。

我不忍心看着这些东西跟着外婆一起永远被埋起来,所以就半夜的时候偷偷的把它们拿了出来,藏起来。我发现那些东西都是跟“声音”有关的,之后我就开始去认识他们,了解它们。

为什么西方人要用”母语“这两个字来形容我们的第一个说的语言,而不选择说“父语”呢?很特别的,打从母亲怀胎开始,小孩的舌头就跟母亲的神经线连接了在一起。母亲发出的每一个声音,孩子都在听。就因为如此,母亲发出的声音和她用的语言,是每一个生命第一个听到的声音。这世上所有的摇篮曲和童谣也是从母亲口中来的。她们用她们自己生活的旋律,还有自己的音调陪伴孩子一天一天长大。

如今,我的工作是在采集老人家用方言来述说的声音和故事。他们有的是在中国文化大革命之前就南来来到我们这里,所以他们用的方言还是很标准正宗的。然而,因为受的华文教育不多,他们无法在生活当中与现代的人沟通,同时也没有人能够明白他们,所以慢慢的,他们被边缘化了。

老人家的声音就这样慢慢的被遗忘,同时消失的是他们每一个独特的身份。我想设立一个“声音馆”,是一个马来西亚华人方言文化保存的一个地方。我也在拍摄一些逐渐被时间吞没的华人传统和文化的一些纪录片。这一切都是献给我们生命中最重要最美丽的声音 –母亲的声音。” – 张吉安

The above interview was conducted in Mandarin.

Photo, story and translation by Tan Dao Hong.

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(This post was first published on March 1st 2018)

“My father was a spirit medium, and I was brought up in a ‘temple’ near the Thai borders…”

“There were people practising voodoo and there was once my father was inflicted with black magic. He was bedridden for almost two years. After recovering, he made a vow to dedicate his body to the gods so that he would be able to treat others with the same condition.

I tend to be alone because other people would stay away from me after knowing our family had this “thing” going on.

Usually when there is a “ceremony”, there would be a commotion with people shouting. Kids were always sent back to their rooms. 

I gradually became reserved and that’s when I got my first cassette recorder. 

After school, I would wait for all the other pupils to leave and then record my voice reading the entire textbook so that I could listen to it in my room. 

Some people write things down when they encounter interesting things, I like to use my voice. I ‘wrote’ my diary with my cassette recorder and listened to the sounds of frogs and birds in my backyard. There was once I wrote and sang my own poems too!

I thought I was autistic, but much later I found out I just tend to be afraid of large crowds. Trying to come out of it, I turned to performing arts and in particular, dance.

My dance choreography is usually inspired by my dad’s life as a spirit medium, sometimes I paint half my face to look like a “spirit” medium.

In my final year of university, I took the stage together with my father to do a contemporary dance performance at a South East Asian cultural festival held in Pasar Seni.” – Chong Keat Aun

“我爸爸是乩童的,我们一家是在靠近泰国边境生活,那里的暹罗后裔会巫术,我爸爸就是被下了降头,在床上躺了将近两年的时间。有位高僧医治了我爸爸后,我爸爸决定把他的身体奉献给神明来做灵媒,来帮助也有这样遭遇的人。

很多时候当同学们朋友,甚至是老师知道我们家有这样的事后,他们都不敢靠近我,久而久之我就变得孤僻一人。

这种仪式进行时,场面都是非常吵闹的,小孩子们都会被赶回房间里去。

慢慢的,我更内向了,也就在这个时候,我拥有了我第一架卡带录音机。

放学后,我都等其他同学离开之后,留下来把课本朗读一遍,把自己的声音录进卡带里,好让我回到家可以听自己的声音复习功课。

很多人用笔来记录他们的生活,我喜欢用声音。我会对着我的卡带“说”日记;我还喜欢在家的后院听青蛙和鸟叫声;曾经我也会写些小诗歌来唱。

我以为我是自闭的,不过后来才得知自己拥有的是人群恐惧症。开始时,我选择了用表演和舞蹈来走出这个状态。

我的舞蹈灵感是来自我爸爸乩童的身份。表演的时候,我会把自己半张的脸庞画上他那种乩童的妆。

大专最后一年的时候,茨厂街刚好有个东南亚艺术节,我和我爸爸就在这个艺术节里同台一起演出了一场以乩童为主题的现代舞。” – 张吉安

The above interview was conducted in Mandarin. 

Photo, story and translation by Tan Dao Hong.

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(This post was first published on February 28th 2018)

“When I was very small, I was attracted to the martial arts; mostly through movies…”

“Then when I went to the UK, I had basic training in Wing Chun. This was about 32 years ago. When I came back (to Malaysia), it was mostly Wing Chun and Aikido.

I have tried many different martial arts but Wing Chun stands out to me because of its effectiveness in close combat. 

The purpose of kungfu or martial arts of any kind, when applied into real life, is very akin to an artist. Instead of piling on more paint, or more clay to a structure, what he does is he chips of parts from the block, chips off the unnecessary parts to reveal the structure within. 

Wing Chun to me is beautiful – it is very scientific in nature and is practical. And I think the way it employs speed and power makes up a very complete package. 

Martial arts pushes you to be disciplined, and its practice pushes you to seek peace within the mind, to realise that the true opponent in this world not external. It is basically, you.

It (martial arts) has helped me in the sense of the inward search of meaning and value, and to a certain extent truth. ” – Sifu Kamarul Hisham Kamaruddin, Wing Chun Cheras – Kung Fu Centre

For a video of this story, stay tuned to Humans of Kuala Lumpur

Story by Christine Cheah
Photo by Irene Yap

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(This post was first published on February 26th 2018)

“At 19, I am one of the youngest surviving tribe members who practice the ancient art of ‘takna’ and ‘parap’ in a dialect never heard before…”

Adrian Jo Milang, from the Kayan tribe of Borneo, shares his journey of preserving ‘takna,’ an ancient oral tradition of epic tales and music, and his mission to revive a rapidly disappearing cultural heritage.

Continue reading

“There were five against the two of us. There was a lot of noise… shouting, screaming… There was this group of ‘mat salleh’… they were much bigger and taller, and they attacked first…”

“This was in UK, 1992. I was working in a restaurant as a waiter. It was a popular place, and customers were lining up, in the cold winter, trying to get a table.

Outside, there was this tipsy group of five telling the customers ‘don’t go to this restaurant’. They got very upset with us (me and another co-worker) trying to tell them off. I was the only one with some skills (martial arts). Their coordination was not too good because they were tipsy but my skills came in handy. Yes, there was physical exchange between us then, and later, the police came but they had taken off at that time. 

It was the only time I had to use kungfu. It was for self-defence and for the safety of the customers. I hope I don’t have to use it again.

The motions of martial arts, its discipline, the physical expression actually is introspective. It begins with what it apparently is – a physical training. It makes your stronger and faster. It makes an individual grow. The motion of martial arts, its discipline, its physical expression are meant to turn you inwards. You are really in a sense defending yourself. We hope to get more and more people to join. That’d be nice.” – Sifu Kamarul Hisham Kamaruddin, Wing Chun Cheras – Kung Fu Centre.

Story by Christine Cheah
Photo by Irene Yap

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(This post was first published on February 20th 2018)

“When I was younger, I used to care how much money there was in an ‘angpau’…”

“Now, I feel that what is inside an ‘angpau’ is a blessing, and a form of well-wishing (from the elders). To be able to receive an ‘angpau’ with both hands is a blessing itself, its not so much about the money anymore.

There was once a customer requested for a super big ‘angpau’ (red packet) because he wanted to give his mother RM4,000 cash. I told him ‘write cheque lah!’, but he insisted because it was the Chinese New Year and giving cash carries significance, so we printed a bigger ‘angpau’ for him. 

Yeah, there’s e-angpau these days, but even if there’s just one customer order, I will continue to make ‘angpau’, and tell people that I am still printing customised red packets.” – Lee Kuan Chen.

The above interview was conducted in Mandarin.

Story by Samantha Siow
Photo by Kelvin Mah
Translation by Christine Cheah

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(This post was first published on February 20th 2018)

Why did you take up kungfu classes?

“I took up kungfu for self-defence. I’m too small and I was always bullied. Today, I can use kungfu to fight but I don’t want to. I will only use Wing Chun when I need to.”

“I want to have a good-looking body, with no fats.” – sworn brothers in kungfu.

Story by Christine Cheah 
Photo by Irene Yap

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(This post was first published on February 18th 2018)